The Pop Era: Mixtapes, Mashups and Meta Musicals (2000s–Now)

The musical in the 21st Century

Miles Eady

7/26/20252 min read

Stone and Gosling dance in silhouette against a city skyline in La La Land (2016)
Stone and Gosling dance in silhouette against a city skyline in La La Land (2016)

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The Pop Era: Mixtapes, Mashups, and Meta Musicals (2000s–Now)

At the turn of the millennium, musicals changed tempo. They stopped looking back and started sampling themselves.

Welcome to the Pop Era — a time when the movie musical splintered into pastiche, playlist, parody and postmodernism. Think of it as a genre reborn as a remix. No longer bound by Broadway tradition, this is a world where Baz Luhrmann meets Bollywood, Beyoncé channels Fosse and a high school glee club becomes a national obsession.

What Defines the Pop Era?

  • Genre-blending: Drama meets comedy meets karaoke.

  • Nostalgia-fuelled soundtracks: Pop music becomes plot device.

  • Meta-awareness: The musical knows it’s a musical — and winks at you.

  • Visual stylisation: Fast cuts, digital colour grading, YouTube influence.

It’s the age of the musical mixtape — stitched together from cultural references and emotional shorthand.

Notable Pop Era Musicals

Moulin Rouge! (2001)

A glittery pop collage of Queen, Elton John, and Bollywood spectacle.
Why it matters: Reimagined the movie musical as operatic karaoke with dream aesthetic.

Chicago (2002)

Slick, chic, cynical — and Oscar-winning.
Why it matters: Songs happen inside the characters’ heads, allowing for fantasy within realism.

High School Musical (2006)

Disney Channel meets MTV.
Why it matters: Introduced a new generation to the musical via TV screens and tween-friendly choreography.

Dreamgirls (2006), Hairspray (2007), Mamma Mia! (2008)

The Jukebox Era — storytelling by ABBA, Motown and Broadway repackaged.

La La Land (2016)

A bittersweet love letter to classic musicals with a melancholy twist.
Why it matters: Reverence meets revision — nostalgia with disillusionment.

Watch Good Morning Baltimore – Hairspray (2007)

Hairspray kicks off with a love letter to her hometown — and to the idea that a big voice, a beehive and a dream can change the world. “Good Morning Baltimore” is bold, bouncy and brilliantly camp. It sets the tone for a musical about rhythm, rebellion, and rollers in your hair.

Watch how the camera glides, the beat bounces and the city wakes up. It’s a warm hug of a number — with subversion tucked just beneath the surface.










Other Key Trends

  • Musical Biopics: Bohemian Rhapsody, Rocketman, Elvis — real lives told in showstoppers.

  • TV Musicals: Glee, Crazy Ex-Girlfriend, Smash, Schmigadoon! — longform, character-driven musical storytelling.

  • Karaoke Cinema: Sing-along screenings, fan screenings — a return to collective experience.

  • TikTok + Musical Theatre: Viral choreography, mashups and even full musicals created on social media.

The community chorus has been replaced by the individual solo — often filmed, filtered and self-aware.

Further Reading

  • Destabilising the Hollywood Musical – K. Kessler
    A must-read on how pastiche, parody, and politics shaped the 21st-century musical.
    Buy it here

  • Film’s Musical Moments – Smith & Jones (eds.)
    A look into how specific scenes create meaning — from Moulin Rouge! to La La Land.
    Buy it here

  • Must-See Musicals: The Definitive Guide – Cinema Journal Editors
    A lively guide that places the Pop Era in context — and offers a watchlist for modern fans.
    Buy it here


Final Curtain: Is the Musical Still Alive?

Absolutely — though it might look different than you expect.

Whether it’s on screen, on TikTok, on your phone, or in the middle of a surprise flash mob at King’s Cross Station, the musical continues to sing — louder, looser and more varied than ever.

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